Man up! Free NYU colloquium on masculinity
Man Enough: An Interdisciplinary New York University Graduate Student Colloquium on Masculinity, presents:
Institution, Work and the Masculine Self.
On Thursday, 19 February 2009, 5-7 pm, in the Great Room, 1st Floor, 19 University Place, New York City
Free and open to the public
What role do work and institution play in the gendered construction of masculine self-consciousness and what are the effects of hegemonic masculinities as constructed through work? How have the changing concepts of “man’s work” or the “all-male sphere”, over the last century or so, operated upon male self awareness, representation and action, and what relationships may be perceived between the construction of masculinity through institution and work, and military interventionism? Centered around a discussion of these and related topics our panel features:
‘The Literary Study of Victorian Masculinities’ – Benedick Turner, PhD, Department of English, NYU
‘Keeping Workers Out of the Spineless Class: Samuel Gompers, the American Federation of Labor, and Masculinity in the Making of Labor’s Foreign Policy, 1895-1918’ – Justin Jackson, PhD candidate, Department of History, Columbia University
Film screening: ‘Debating Masculinity’: A short film of interviews with five leading voices in masculinity studies – Introduced by Josep M. Armengol, PhD, Postdoctoral Fellow and Visiting Professor, Department of Comparative Literary and Cultural Studies, SUNY at Stony Brook
Moderator: Josep M. Armengol

Back when parlor games were popular, there was one going around Europe called Klexographie. It involved spilling ink on a piece of paper and folding it in half. The sheet was then passed around among people, with each one telling a story based on what they saw in the image. In the early 1920’s, Swiss psychiatrist and proponent of psychoanalysis Hermann Rorschach was the first to apply the same concept to psychology. The Rorschach test was originally meant to test "perception and apperception" - form, perceived movement, color - rather than imagination. However, its applications soon included using it to probe the subconscious of patients, by seing what kind of images they project on a random splash of color. There are ten official inkblots: five are black ink on white, two are black and red ink on white, three are multicolored, and while the Rorschach Society claims the blots are copyrighted, they should be in the public domain based on when they were first created and how long the creator has been dead. Now, it’s possible to give yourself this classic test in the form of the Klexographie Inkblot Oracle, which works similar to divination by reading tea leaves, coffee grounds, fireplace ashes, or candle wax. Just think of a question and the patterns/symbols in the image should help you with the answer. If there is still something unclear, try another blot. It’s interesting how you can see completely different things in the same image on different days.